From the creator of one of the most famous of petty tyrants comes a look at the petty tyranny of fame. Gil is the comedic playwright of his day, doomed to hit after hit when all he wants is to be taken seriously, darkly, academically. Like...dare he say it? The Bard. A hilarious series of events leads to the discovery of a "new" long lost tragedy by William Shakespeare. When is a forgery become art itself? Is truth absolute or a function of aspiration, democracy, and marketing?

Info from the theater company's site