Thursday, May 1, 2008
Concert review: Avett Brothers at The Granada (April 30)
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- Seth Avett clearly went to the Rhett Miller school of guitar-induced head-bobbing.
- Indeed, the energy on some of the raveups put me in mind of the Old 97's circa 1995.
- When singing solo, Seth also sounds a lot like Whammo from Asylum Street Spankers.
- It was a good Wednesday night crowd, with the bottom section full and a little spillover upstairs.
- Man, I wish more bands used cellos.
I've been excited about the Avett Brothers making their way through town ever since the announcement came down a couple months ago. I discovered them on disc last fall, and had heard that their live shows were legendary.
And indeed, their show tonight at The Granada was a corker. When a fella breaks enough banjo strings to need two(!) backup axes, as Scott Avett does, you know he's breaking a sweat. The band, which also includes brother Seth Avett, bassist Bob Crawford and cellist Joe Kwon, is all in the whole time, with various members kicking drums and cymbals or ducking low to use the standup bass as percussion when someone hasn't rotated out to sit on the drum kit.
Finally seeing the band live was a way for me to finally understand where they're coming from -- Based on their discs, I was part of the pack of hyperbolists that has a hard time describing them. Bluegrass? Punk? Something else? There's a lot going on in terms of traditional instruments, a rock attitude and discordant harmonies that make one reference The Violent Femmes and then feel a little dumb for doing so.
But in a 90-minute set that covered most of their two label albums and an upcoming EP, the pattern finally became clear. The songs themselves are pure folk: Murder, true love and the seed of alcohol. The instrumentation is skiffle. And there's a real pop sensibility that echoes the Beach Boys at their best. Yeah, there's the raucous energy of young guys rockin' out, but that's the sideshow. The main event is seemingly effortless songcraft. These guys write songs that feel lived instead of written, and perform them like their lives depend on it. (And maybe they do-- nominal maintenance of sanity is a recurrent theme.)
High points were "Talk on Indolence" (my favorite track going in); "Weight of Lies;" the Seth solo "Ballad of Love and Hate;" and the closing "Pretty Girl From Chile" in which the boys finally went electric, to nice effect.
Driving home with my Ipod on shuffle, I got a trifecta of "Don't You Rock Me Daddio" from The Skiffle Sessions; "Breakin' the Law" by the Supersuckers; and "Grace Kelly" by Mika -- Occurred to me that you could mix the three, shake 'em up with some Red Bull, and have a nice Avett Brothers tune.
I was sorry to miss opener Matt Butcher, but bidness obligations intervened...
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Akira Sato Jazz trumpeter Akira Sato, by way of Tokyo, Japan and Vancouver, Canada, is an SMU faculty member and director of The Meadow Jazz Orchestra at SMU. He is also an adjunct faculty member at UNT where he teaches jazz arranging. Sato is also heading into the studio soon with other area musicians and playing at the Scat Jazz Lounge tonight. With all that he's up to, the least you could do is order a Scotch on the rocks and chill to some tunes. (Photo by flickr user arteunporro. More info
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Comments
Russellt484 Anonymous
"Man, I wish more bands used cellos."
Dude you know thats a Bass not a Cello right?
....I guess not
2 months, 1 week ago ( Link to this comment | Suggest removal )
Mike Orren Staff
I know Bob's is a bass, but isn't Joe's a cello? It has to be a cello...
http://en.wikipedia.org/wiki/Avett_br...
2 months, 1 week ago ( Link to this comment | Suggest removal )
Mike Orren Staff
Yeah... Stop making me think I've lost what's left of my mind. I knows a cello when I hears it:
http://www.homegrownmusic.net/news-an...
2 months, 1 week ago ( Link to this comment | Suggest removal )
Scott Miller Verified
Mike
For what it's worth- your review makes me VERY sorry I missed this one.
"Pretty Girl From Chili" is in very heavy rotation here.
2 months, 1 week ago ( Link to this comment | Suggest removal )
ScottChaffin Anonymous
Good seeing you last night, pard, wish we'd had a chance to talk more. Question: did you think the encore was an Assjack tribute? First thing that flew through my mind. Excellent show.
Of course it was a cello. A bass is what that enormous, taller-than-a-man light-colored thing next to the cello was. Personally, I thought the cello added nothing but distraction - should have been a traditional fiddle.
2 months, 1 week ago ( Link to this comment | Suggest removal )
Mike Orren Staff
Right back atchya, amigo Scott...
On the Assjack tribute, you mean in terms of going electric? I don't think so -- it's the same deal on the album, where everything else is acoustic and then they plug in for the last tune. Only thing I don't care for is the answering machine bit.
Gotta disagree with you on the cello being a distraction, but that's because I love Alejandro Escovedo and am seeing Lou Reed in two days.
Plus, I think the fiddle would make them self-consciously country, which they ain't, despite the banjo...
2 months, 1 week ago ( Link to this comment | Suggest removal )
ScottChaffin Anonymous
Re: Assjack - more in the sense of super-crunchy hardcore rock. The answering machine is what made me think of Hank 3. Probably wrongly.
2 months, 1 week ago ( Link to this comment | Suggest removal )
Russellt484 Anonymous
Mike your right I stand corrected, but man you had me questioning you.
2 months ago ( Link to this comment | Suggest removal )
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