by PegNews wire

Created in 2008, The Eye draws inspiration from the 2005 John Adams opera Doctor Atomic, which recounts the events leading up to the first nuclear bomb test under the supervision of Dr. J. Robert Oppenheimer in 1945.

DALLAS — The Dallas Museum of Art today announced the acquisition of a major large-scale sculpture, The Eye, by the celebrated Canadian artist David Altmejd. Among the artist’s most ambitious works to date, The Eye measures approximately 11 by 18 feet and is an imposing and mesmerizing structure of mirrored glass and wooden support that engulfs the viewer in a spectacular environment of fractured light and reflection. Acquired by the DMA through the DMA/amfAR Benefit Auction Fund made possible by Two by Two for AIDS and Art, the work is currently on view in the DMA’s exhibition Performance/Art through March 21, 2010.

“It’s a pleasure to offer visitors the chance to explore David Altmejd’s work, which overwhelms and entices the viewer with dazzling visual effect,” said Bonnie Pitman, The Eugene McDermott director of the Dallas Museum of Art. “This beautiful and dramatic sculpture is an important addition to our collections, and a fascinating component of our Performance/Art exhibition, which explores connections between visual and performing arts. Altmejd’s work energizes the DMA’s collections, which are recognized among the most important museum holdings in the country, and reinforces our city’s standing as a major center for contemporary art.”

Created in 2008, The Eye draws inspiration from the 2005 John Adams opera Doctor Atomic, which recounts the events leading up to the first nuclear bomb test under the supervision of Dr. J. Robert Oppenheimer in 1945. The installation’s dazzling mirrored facades give the piece a theatrical quality, as well as a sense of movement, drawing possible parallels to an explosion that has been suspended or frozen in time, or a spaceship that has just landed, or to any number of possible references dealing with science and science fiction, as well as the history of sculpture. Altmejd made The Eye for the art gallery at The Metropolitan Opera in New York, which presents the work of visual artists who have been asked to respond to an opera performed during the Met’s season.

“The Eye is one of Altmejd’s most abstract and amazing achievements,” said Charles Wylie, the DMA’s Lupe Murchison curator of Contemporary Art. “The work confounds us with its beauty while challenging our sense of scale, creating an immersive experience. Altmejd’s exuberant and complex vision makes his work truly extraordinary, and it is extremely exciting to have been able to bring this work to Dallas and have it stay here.”

Almejd’s work joins other large-scale sculptures and installations in the DMA’s contemporary art collection by artists such as Chris Burden, Mona Hatoum, Tatsuo Miyajima, Doug Aitken, and Olafur Eliasson, among many others.

Source: Dallas Museum of Art

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