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Wednesday, December 23, 2009

Missed film opportunities of 2009


These collaborative filmmaking efforts would have been SO COOL!

Rather than make a boring, long list of the best stories from 2009, we'll serenade you. No one remembers the correct words to the 12 Days of Christmas anyhow, so go with it. Cue drunken Santas.



On the 12th day of Christmas, PegNewsers gave to me:

A whole lot of movies were made in 2009. And, just as in prior years -- which include, according to my archival calendar material, 2006, 2007, and 2008 -- Hollywood auteurs could have saved a whole lot of money (and achieved profoundly entertaining results) by combining their story pitches into fewer films.

In a number of cases, the resulting movies might have proven to be far more profitable: Imagine the broad-based crowd appeal that might have been generated by an opus such as Friday the 13th, 2012, in which a supervolcano erupts from the depths of Jason's beloved Crystal Lake -- but not until after several nubile campers have been sliced and diced a la machete.

In this vein, I offer up the following concepts. Hollywood, let consolidation be your watchword.

  • Two Lovers Drag Me and Orson Welles to Hell: Sam Raimi directs Joaquin Phoenix and Gwyneth Paltrow in this revisionist tale of terror on the Broadway stage.
  • Funny People Who Stare At Goats: Stand-up comedians whose audience members begin dropping dead in the aisles are enlisted by a secretive government agency to fight terrorism on the agri-front.
  • The Girlfriend Experience: My Life in Ruins: (Sound familiar to anyone? Guys?)
  • Bad Lieutenant: The Princess and the Frog: Werner Herzog directs this high-intensity animated tale of bayou batrachians gone bad. All singing -- all dancing -- lots of f-words.
  • I Love You, Beth Cooper, Julie & Julia: The more the merrier, we always say! (Meryl Streep actually passed on this one, I hear.)
  • Jennifer's Body is in The Last House on the Left. (Call Sunshine Cleaning.): Don't see it alone -- but if you must, bring along a mop and plenty of Ajax.
  • X Men Origins: Antichrist: Those Marvel Comics boys cut right to the good vs. evil chase with this one.
  • Che: Law Abiding Citizen: The life of Ernesto "Che" Guevara is re-imagined in a Capra-esque light. Instead of leading a rebellion, Che takes up the "don't worry, be happy" mantra.
  • Sherlock Holmes: Mall Cop: Elementary, my dear retailer.
  • Avatar, Fast & Furious: This rarely-seen two-minute investor's cut dispenses with all that visual effects b.s.
  • The Hangover: Year One: Chronicling an epic prehistoric bender and its tragic after-effects. (Burp.)
  • The Ugly Truth about Miss March: You got it: They're fake.
  • Ninja Assassin, I Love You, Man: A light-hearted, bromance take on the standard katana-wielding actioner.

And, finally:

  • Capitalism: The Invention of Lying, which finds Michael Moore abandoning all attempts at verisimilitude and diverging into narrative feature filmmaking. (No, wait a minute ... )


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cinemaphile_john, anonymous:

You got some really clever ones this year. "I Love you Beth Cooper, Julie & Julia" and "Che: Law Abiding Citizen" are my favorite!

3 years, 4 months ago
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kholmes, anonymous:

Verisimilitude? Wha??? You speaketh those big words.

3 years, 4 months ago
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