Wednesday, October 26, 2011
Theater review: A Samurai Nosferatu at KD Studio Theatre in Dallas
A dazzling, chilling, surprising spectacle.
When I heard the title of Level Ground Arts’ current show, I wasn’t quite sure what to expect. But then, I’d been attending theatre at LGA for a long while now. I’ve seen them spark entertainment from such diverse content as Cannibal! The Musical!, Manos, the Hands of Fate, Poseidon!, Metropolis, Xanadu ... all to great effect. So I went with it.
A Samurai Nosferatu (playing at KD Studio Theatre in Dallas through October 29) is writer and director Billy Fountain’s tapestry of different cultures and stories, a montage of overlapping themes such as: warfare and honor, half-lives and ghosts, illusion and ghoulishness, vampirism as metaphor in political and cultural context. Fountain can be quite visionary in his desire to reach new heights. If threads don’t always coalesce, it’s not for want of trying.
A Samurai Nosferatu begins with a reunion of friends who used to run the sort of late night horror shows popular in the 1950s. Eerie fun tricked-out with cheesy special effects and stunts like hiring a “nurse” for patrons with weak hearts. Simon, who produced and managed these scare-fests, has been invited by his former lover Mary to take a memory journey with their friends. Mary is mute, and Simon is immune to her persuasion, clearly terrified of confronting some past ordeal. But like the other players, his resistance is temporal. Fountain takes careful steps to blur the line between passive participation and empathic involvement. Eventually another plot is introduced, set in feudal Japan just before the collapse of the Samurai reign, involving a legendary, aristocratic warrior called Nos. Fountain’s take on this vampire warlord (Dracula? Vlad the Impaler?) is other-worldly and fascinating.
Along with an impressive team of designers -- Emily Shaw, Kelly Shea, Mark Dalton, Francis Henry, Lee Hartsock, and Ande Bewley -- Fountain has designed a dazzling, chilling, surprising spectacle, featuring sumptuous costumes, acrobatic dancing, swordplay, strange and engaging components that will keep you absorbed and on your toes. Most of the actors play multiple roles and do so fluidly, with conviction and zeal. I must apologize for coming to A Samurai Nosferatu so late. I want theatergoers to understand the exquisite sensual, visceral, and fanciful delight of this marvelous show before it closes this coming weekend.
Pegasus News Content partner - Christopher Soden, Dallas GLBT Arts Examiner